Showing posts with label free book. Show all posts
Showing posts with label free book. Show all posts

Tuesday, 17 June 2014

Extract from "The Night Porter" by Mark Barry

The Night Porter is on Kindle Countdown this Thursday. It can be purchased here for 99p and 99c on Thursday June 19th.  



Extract from "The Night Porter"

The King of New York

It occurs to me at that very moment who Frank resembles. When I was a student, I watched a DVD called King Of New York.[1] 


I hadn’t thought about the film until this very moment for many, many years. He reminds me of the gangster in it, only much broader. I cannot remember the actor’s name, but he’s the spit moral. 

That same heavy lidded look. That same sense of me first, you nowhere. The disdain. The obtrusive, deliberate cool of it. He puts his meaty paw on Lucy’s back and ushers her upstairs.

****

Midnight Run

I go to see Sixsmith and ask for the bottle of Jack Daniels. He is perched on a barstool scanning the classified ads. I think he runs an online auction business on the side.
‘We’re out,’ he says, without looking up.


These are not the words I want to hear, particularly delivered by a man who is clearly not making much effort to hide his disdain, delivered in a rural Midlands accent, with a burr, the emphasis on the vowels. There is no hierarchy on paper, but I know where I stand. 
‘Can you nip up the Community Fayre and get some?’
‘No. Busy.’
I look around the bar. There are two punters enjoying a pint. A fire well on the way to ash and ember. The TV showing a football match.
I press on. ‘Cat says –’
‘– bollocks to Cat,’ Sixsmith says, emphasising everything and delivering it slowly. ‘I’m busy, you go.’
‘Listen, Martin. Frank wants a bottle of bourbon. He gets a bottle of bourbon. If you don’t go fetch a bottle of bourbon from the Community Fayre, or the OneStop, I’m calling Cat.’
He looks up from his paper with menace. 
‘You do that, mate. You do that. See what happens.’
‘Don’t be so ridiculous, Martin.’
‘I’m not going out in that rain,’ he says, aware he is pushing it as far as it will go and softening a little. He isn’t stupid: He’s behaving like it – nasty and stupid, malevolent even – but he isn’t.
‘Okay. Send Kerry.’
‘Yeh. Send Kerry. Where is she?’
‘Don’t know, Martin.’
‘You find her and send her,’ he says, returning to the paper and chewing on a peanut.



Annoyed, I see Kerry and rather than ask her to go to the supermarket, I ask her to hold the reception for fifteen minutes. She says she is due to go home, but says, yes. I put on my raincoat. It is lashing down, so I take my umbrella. 

I race up the High Street to the off licence, order a bottle of Jack Daniels. They will bill me – this is not the first time this has happened, and we have a proper arrangement. I pick up three bags of peanuts, giant bags. This means I can ask Gavin for olives and not Sixsmith. 
I’ve had enough of him for one night. 

When I return, I run to the kitchen and ask for a jar of olives. Gavin is cooking steaks, and my mouth waters. He gives me six on a glass petrie dish from an already opened jar, which is fair enough and soon, I am ready to take up the goods. Kerry is talking to a guest, and I don’t want to interrupt, so I take up the bottle, the nuts, and the olives myself. I am soon outside his door and knocking.



Lucy answers the door. ‘Hi.’
The TV is on, and I can see Frank’s chocolate and pale strawberry-coloured bare feet hanging off the edge of the bed behind Lucy, who, now I see her in a different light, has also been drinking most of the afternoon. She sways just a little, a blade of grass in a light breeze.
‘Frank’s order, madam.’
‘Is all this for us?’
‘Yes. All this for you.’
‘Awesome.’ She nods. ‘Yeh, awesome.’ Takes the tray from me and kicks the door shut gently without saying goodbye.
My pager goes, and it is Kerry. I signal I’m coming back. I check my watch. It is past eight, and I have another twelve hours to go. I feel as if I have been working since eight in the morning instead of two hours.
When I get downstairs, Jo is waiting with her shopping bags. Amy is on her mobile phone underneath the portrait of Charles I by the door. ‘Would you help me up with these?’ Jo asks sweetly.
‘My pleasure. Shall we take the lift?’
‘Totally,’ she says, relieved.



Jo waves at Amy, who blows her a kiss. I pick up the bags to Kerry’s consternation. I know Kerry has to leave, but this is business. She is noticeably frustrated. I carry the bags to the lift, and Jo walks behind me, slightly pickled and giggling. She burps and swiftly apologises for it. ‘I so didn’t expect that to happen. What must you think of me?’
‘I didn’t hear anything, Jo.’
‘You’re such a gentleman. I love England. Everyone has been so nice. I love it, OMG, you are all so cool.’
‘Thank you, Jo. My country appreciates that.’
We get into the lift, and I press a button.
‘Apart from the weather, that is. So amazing the rain, Wow. Never seen anything like it,’ she says,
‘By the way, Julian asked me to ask you to give him a call in his room when you get the chance.’
‘Julian? What about?’
‘He said he wants to talk to you about Friday.’
‘Oh, cool. I am so nervous. Me at a press conference. I’ve never done that before.’
‘Me neither,’ I say, and Jo laughs, as she is meant to.
I manage to get the bags into her room. She tries to tip me. This is the first time any of the guests tries this.
‘No tipping here, Jo. My compliments.’ 
Many hotels permit tips – The Saladin doesn’t, compensating the staff with an assumed tip in the hourly rate.
‘OMG– no TIPPING? How cool is that! I kinda can’t believe how awesome this is. We tip everywhere in the States.’
‘Not in The Saladin.  Will that be all?’ I ask.
‘Sure thing. Okay. And thanks.’ She says, her phone going off, a vaguely familiar ringtone alerting her to a call. I smile and shut the door behind me.

*****

I walk past Frank’s room and hear music I don’t recognise.
By the time I get back to the desk, Kerry is irritated and storms off without saying goodbye to me. I’m not offended: Any rage I have, though internalised and controlled (and hotter than molten steel), is aimed not at her, but at Sixsmith for humiliating me. He knows I won’t tell Cat. He knows I have a minimum contact policy with management – I made the mistake of telling him. Give a bully the right amount of information, and he will make it count. His mask slipped tonight.
Why? Why tonight? His resentment toward me has been bubbling under the surface, it always has been, but why did it blow tonight?
It just doesn’t work with Sixsmith and me. Maybe it’s some chemistry thing. Maybe it’s an unstable reaction that’s never going to work. We just don’t mix. I came here in March around Easter time. I don’t think we ever enjoyed a honeymoon period. He was off with me from the Induction stage onwards – the limp handshake and the cold stare.
In the early days, I tried to sit and talk to him when it was quiet in the hotel, but while he was garrulous and bluff with everyone else, he would turn into a Trappist monk with me. And it got worse as time has progressed.
Awkward, those awkward moments.





[1] There is a magnificent scene where the gangster walks into a fried chicken shop and orders the entire menu for him and his gang. I smile at the memory and the chutzpah. I love King Of New York. I’m going to have to buy it now.




________________________________________________________________________________

Two Reviews from US

5.0 out of 5 stars The Night Porter!March 20, 2014
By 
brenda (LADERA RANCH, CA, United States) - See all my reviews
(REAL NAME)   
Verified Purchase(What's this?)
This review is from: The Night Porter (Kindle Edition)
"Night porters are generally excellent listeners. It should be in EVERY hotel job description.";-)

The Night Porter grabs hold and invites you in. Instantly you are welcomed into the arms of the night porter. An open an honest portrayal of a man earning a living doing something he has been raised to do. Actually, that is not entirely true. He first had to drop out of university and then the wheels were in set motion. Not without a little disappointment from family...
"However, my father, with whom I had experienced a strained relationship, was livid - apoplectic, even - and because of my decision, my father and I no longer have a strained relationship, or any relationship at all..."

This guy is an interesting fellow (if I were in the UK I would say "bloke" instead). I love his chatter and how he invites us right into his world. Sharing everything in- between.

The writing as in all Mark Barry's books is sharp, clever with a fabulous sarcastic undertone. Done in the most humorous way. Reminiscence of Monty Python bits. His use of language is beyond shrewd. I read and re-read sentences as I am in awe of this authors unique writing ability. I would like to say natural talent but that would be hard for me to fathom. The detailed descriptions are beyond gifted. At times the narrative gives you the feeling that you are chatting with a friend as the dialog flows so natural off the pages.

I went berserk over the humorous footnotes which were absolutely brilliant... You will have to read for yourself! This book delighted me and and I am certain will knock the writing world off its socks. So clever!

****

5.0 out of 5 stars The Night Porter Next DoorMarch 27, 2014
By 
Verified Purchase(What's this?)
This review is from: The Night Porter (Kindle Edition)
Another winner from author Mark Barry about a structured, discreet and very proper night porter whose hotel is chosen to host, and house, the nominees for a highly-prized authors literary award, the ALF.

No expense is spared. The only order of business is to make sure each of the honored guests is happy and comfortable, and each one comes with his or her own quirk. The porter's dry wit carries you along on a guided tour of the hotel, his activities and observations of the people he works with, and then of the guests as they start trickling in - there's the perky Young Adult author from America and the sullen male author with less than ideal grooming habits...

The footnotes feature is a mini-bar of added insight and humor. The story-telling is witty, the humor well-timed (a company named Tarzan invented the Spark e-reader). When the Night Porter shares his internal musings about meeting the upbeat Young Adult author from America there's a cuteness about it - despite the Night Porter being in his 30's, he maintains his calm and dignity in scenarios that would test the patience of a less disciplined man.

Secrets are revealed about the hotel and its guests, and by story's end, The Night Porter will have a secret (or two) of his own.
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Wednesday, 14 November 2012

The Ritual



This essay is written to accompany the Giveaway at Ngaire's Cecilia Spark website.

http://www.ceciliaspark.com/


Cover design by
Dark Dawn Creations
The Ritual

The Ritual, at 130,000 words, is Green Wizard’s longest piece of continuous work. It is horror, but like all Green Wizard books, it is written with a difference.

But first, a digression.

In 1982, at eighteen, as a student, I started work on a horror novel based on the magnificent cover of the first Black Sabbath album. 


I bought a secondhand typewriter and wrote most of it in a bedsit, where I lived with my then girlfriend, Julie.  (The rent was eleven pounds a week and it didn't change for three years). 

I wrote it in a huge bay window and I wrote most of it with the curtains open as I watched the people of Plymouth walk and drive by. 

Proper work


Writing with a typewriter is proper work. You have to really push the keys and you can’t write 2.5 k per day without causing serious repetitive strain injury before long. That’s why many of the books in the decade after the typewriter were much shorter and faster. Health reasons. You had to replace the ribbons (which was quite an expensive exercise ) and there was just the one choice of font. You crossed out mistakes and then, when you’d finished, you went back and rewrote the manuscript, eliminating the mistakes. 




If you wanted a copy for yourself, you inlaid the sheet of paper on which you were writing with royal blue carbon paper. 

After a while, you got used to it and some of the original manuscripts are works of art. The ones that survive from the golden era of writing in the fifties are worth money – the basis of my book “Hollywood Shakedown”. 

Writing on a word processor is fantastic – and, as I wrote the other other day – has democratised writing and created an explosion of creative talent  and desire the world over. But writing a complete manuscript on a typewriter it something else. 

(Any of you do it? I’m toying with the idea of doing so for Christmas to see what it’s like, whether I'm remembering something through rose tinted spectacles).

This is what my books are like, btw. Massive digressions.

A setback

So I wrote the manuscript and handed it to my friend Phil Hill to read. Excitedly, I awaited his response.

“I much prefer your assessed essays,’ he said, looking quite guilty.

So discouraged was I, I didn’t write a complete manuscript again for twenty three years.

The manuscript was thrown in with my diaries, cards and love letters from my then girlfriend Julie (whom I was going to marry, who I loved with rare enthusiasm, until she shagged a soldier (or a sailor) on a student bingo one night on Union Street, transforming a naïve young lad from Nottingham into the elephant-skinned cynic he is today), into a suitcase and stored in my dad’s loft. 

I tried to look for it a while back, but it had gone. Probably for the best.

Blockbusters

The Ritual, which was written from January to March 2012, is the son and daughter of that manuscript. At the time, in the eighties, I was reading King, Herbert, Sharman, Hawkey, the amazing Peter Straub, the last embers of the New English Library literati, and anything I could get my hands on. 

I must have read every single modern horror paperback printed between 1980 and 1985. Then I stopped. Just like that. I was no longer interested in horror fiction. The desire just left me behind.

So why The Ritual? 

I guess it was something from my unconscious, a debt to be paid to all those authors who taught to me to read and write more than any English teacher did at the rather brutal school I was forced to attend as a child. 

But mainly, I wrote it because I realised that no one writes long books any more.

Almost every book I read in those years, (the late seventies to the middle eighties), was a long read, a shoebox, a doorstop sandwich. 

Something which could last at least a week of a fortnight’s beach holiday in Benidorm. A book you couldn’t slide into a jacket pocket. And all this with size ten Times New Roman. Big books. 

A big, memorable read.

After a standard sized opener (Carrie), shockmeister Stephen King wrote three long classics in a row: The Shining, which is a monster of a book and possibly the greatest horror book ever written, Salem’s Lot, which is a long, long book about vampires which still has the capacity to curdle milk, and most colossal of all, The Stand.



Not particularly horror, but very, very long and scary in parts. King memorably described the latter as his Vietnam War and it nearly drove him mad.

His friend and confidante Peter Straub seemed incapable of writing a short book at the time and wrote three increasingly scary novels - a loose horror trilogy, Shadowland, the brilliant Ghost Story, and the book that most inspired The Ritual, the unbelievable Floating Dragon.




(Straub turned to horror after his serious literature novels sold in the tens and then returned to serious literature without ever replicating the success of this trilogy – by some way the best written horror novels in history).

Other authors followed suit with the big long books: There’s the magnificent Harvest Home by Thomas Tryon (which will knock your head off) and Judgement Day by Nick Sharman. Long long books. You can still find these books now in second hand shops and online.

The reincarnation of the blockbuster

Then, as soon as I disappeared from the world of horror fiction, it appeared that so did the long novel. 

When I started writing, I was surprised to see that Amazon classed 50,000 words as a Novel and 80,000 words as moving into Epic territory. I had to laugh. I wouldn’t buy a book as short as 50k. I’d only just be getting into it and I would feel cheated. It seems that not only music, films and TV had descended into dumbed down status.

So, bearing all this in mind, I decided to write a horror novel. A big, epic horror blockbuster.

My favourite genre in horror is the Resurrect Lucifer genre. 

Satan Worshippers. You can keep vampires and zombies and all that – they don’t exist and thus, I am uninterested in reading about them, 

But near me, is a coven of witches. 

Near where I live, in a small village near Mansfield, there is rumoured to be a sect of wife swapping devil worshippers from all over the East Midlands who sacrifice goats, and black chickens and white cockerels on certain nights of the year.

Walpurgisnacht. April 30th/May 1st. The night the witches dance.

Near me, are Druids.

Real people. Messing about with the occult. Some of them are trying to resurrect Satan.

Love it!

The Ritual: Contents

Original Pre July Cover designed by
Igor and Oleg Designs of Carpathia

The motif for Green Wizard is Ordinary People. Extraordinary Situations. The Ritual fits it like a glove.

So The Ritual is about a satanic cult of American devil worshippers who follow a mother and a daughter from Ohio to the prosperous town of Wheatley Fields

It’s not clear why they do so. Mum (the MILFY, Lindsay Wagner look-a-like, Phillippa) and Daughter (the angry, outlandish, England-hating Emo, Jennifer), are unaware of the stalking until strange things start to happen in their lives. 
And the strangeness transfers to the posh, insular people who live in the town which begins to erupt. 

People die horribly. Unexplained deaths. Missing people. Strange animals. An infestation of  ravens. Worms consuming gardens. Ephemeral shadows everywhere just under the level of perception. A terrifying spider visiting each house. An uncatchable spider, unnaturally fast, the size of a saucer.

The church is taken over by the handsome and popular American, The Reverend Starkweather. Shops are bought for amazing prices and before you know it, the Americans are coming in force. Soon. You cannot get a hotel room anywhere. There is an event coming to Wheatley Fields. A once in a lifetime event.

Oblivious, Phillippa and Jennifer try to get on with their lives – until one day, it’s too late.

Objectivity

The second half of the book is much better than the first. 

In fact, I haven’t written a sustained ten chapters as good as the last ten of The Ritual. 

It reads like a thriller. 

The trouble is, like King, Straub et al, I had to spend an aeon setting up the second half and people don’t seem to have the concentration required. 

Quite a few people have put the book down, the worst thing that can happen to a writer (not bad reviews). 

It’s very long and each sentence is connected to something else later in the book.

It takes a bit of reading. 

Maybe it isn’t very good. Yet, most people love Carla and The Illustrated Woman and while I struggle to re-read those. I can sit and read The Ritual over and over again.

It’s wacky, intense, bloody, sexy, fast paced, cheeky, gory, political, has a core of social comment and a skin of bleak 2012 reality, and it ends in a Crank-style climatic bloodbath I haven't seen in years.

Chapter 36 is well over the top, as are the Uppity Box chapters. The characters are engaging and likeable, even when they are no supposed to be. There are references to over fifty Hammer Horror films. There are historical references, there is psychic phenomena; there are gorgeous lipstick lesbians, massive explosions, disappearing things, horrible animal infestations, doppelgangers, evil American villains, nasty English snobs getting their just desserts - and there are some mint jokes.  

And there three twists which none of my proofreaders spotted. 

Talking about myself? I generally hate  my own work and I absolutely detest having to market my work on FB, Goodreads and worst of all - the absolute worst of all - Twitter. 

But after a few pints, I can look at what I've done objectively and the above is objective.

But forget all that, matron - 

It's FREE!!!

I’m giving it away FREE on PDF to everyone who visits THIS website in the next two weeks.

That’s free. F.R.E.E.E.E.E, to misquote Dolly Parton.

I’ll tell you why I’m giving it away free to the Indian document Pirates and the Eastern European PDF choppers. 

One, I can’t sell it, like every other Indie below the romantic and vampyrous top thirty, and two, because I want to write a sequel in the second half of next year called Monstertown.

I have the most brilliant idea for the sequel, possibly the best idea I’ve ever had, but if I can’t sell The Ritual, or no one likes it, I may as well put my name down at the bog cleaning agency down at the Victoria Centre. Mateys. That would be more lucrative.

The Ritual is FREE by the way. Did I mention that? 

You read it right. A quid less than a quid. No questions asked.

It would be nice if you let me know what you thought of it, afterwards, even if you hate every word. Thanks.

Gosh, that was a long and self indulgent article!! Enjoy. Love, Wiz xx

Oh. The original title for The Ritual was The Daughter of Satan


TDOS cover
Igor and Oleg Designs 2012